INTERVIEWS Skip The Use on “Nameless World” — Sound, Fury, and a Wake-Up Call in Animation June 26, 2025 Joji on “Slow Dancing in the Dark” — From Chaos to Catharsis June 22, 2025 BigXthaPlug on “Primetime” — No Gimmicks, Just Greatness June 20, 2025 The Gritty Masterclass in Pain, Truth, and Redemption Found in Jelly Roll’s “Liar” June 17, 2025 Sundazer on “Closer” — Whispers from the Dark June 15, 2025 Fame On Fire on “Nightmare (The Devil)” — Turning Personal Demons into Anthemic Rock June 12, 2025 ThxSoMch on “Would You?” — Vulnerability, Longing, and the Duality of Love June 4, 2025 ame On Fire on “Nightmare (The Devil)” — Controlled Chaos and Pure Rock Energy June 2, 2025 The Midnight on “Digital Dreams” — Synthwave Nostalgia Meets the Future June 1, 2025 Of Monsters and Men on Staying Close to a Global Fanbase — Without Leaving Iceland June 1, 2025 Skillet Gets Personal: Faith, Fire, and “Dominion” in AskAnythingChat Interview May 19, 2025 How d4vd Made His Breakout Hit “You Left Me First” Using Just His iPhone May 4, 2025 Foals on “Lonely Hunter”: The Ghost in the Groove May 3, 2025 Bring Me The Horizon: Two Decades In, Still Breaking The Mold April 20, 2025 Under the Knife – Thornhill Cut Deeper Than Ever on Bodies April 10, 2025 binki’s “Landline”: Controlled Chaos With a Pulse March 10, 2025 Nardwuar vs. Arctic Monkeys (2007): When Eccentric Meets Effortlessly Cool March 1, 2025 Hands Like Houses x Normandie – “Hurts Like Hell”: A Collab That Burns Clean Through March 1, 2025 Klaxons – Echoes: The Sound of a Band Choosing the Unknown February 20, 2025 Declan McKenna on “Isombard”: Smiling Through the Static February 10, 2025 Music Is My Life: Ethan McCann of Thornhill Opens Up About His Musical Roots and Inspirations January 10, 2025
